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Lost

Description : "Lost" is a serene seascape depicting a tranquil beach scene, capturing a moment of calm and solitude. In the foreground, a wooden boat rests quietly on a grassy shore, while the ocean extends out to the horizon, with gentle waves softly rolling in. The sky, with its soft blues and warm hues, is expansive and conveys a peaceful atmosphere. The piece embodies simplicity, a statement in stillness. It shines through minimalism, focusing on the essence of calm found along a solitary shoreline. The wooden boat, a focal element, symbolises both journey and rest, unburdened by unnecessary detail.   The creation of "Lost" wasn't about capturing a destination but the feeling of being between places—lost yet tranquil. It was about exploring how absence and presence coexist in tranquil harmony. The technique involved a deliberate surrender to the piece's natural flow, rather than trying to direct it. It was unique in its execution by the process of embracing simplicity as its core strength.   "Lost," is a reminder of solitude's subtle beauty and the peace found where the land meets the sea.

DIMENSIONS : ( Width - 102.00 cm x Height - 56.00 cm )

Medium on Base : Oil on Canvas

Genre : Seascape

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Copyright : © Gerard Maille

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Framed: $4860.00
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My journey as an artist began, as with so many children, with a love of drawing. In fact, all kinds of manual and construction activities attracted me as a child. My parents, recognizing my natural artistic flair, sent me to a fine arts school for several years, until I was about seventeen. The experience was pure joy. I loved it all, and I remember especially the smells of the art studio, a mixture of paint, clay and turpentine.

     This pathway, however, was sadly not to continue, as I then entered the French Air Force. Yes, I am French, born on the Mediterranean Coast of France in the fishing port of Sѐte. I suppose being French kind of goes hand in hand with being an artist, but at this point in my life such was not to be. I was born in the post-World War 2 era, and my parents saw a need for job security, rather than me becoming a Rembrandt or a Gaugin. My artistic journey was therefore interrupted.

     In 1974, I married an Australian girl, and we set forth to make a life for ourselves in the north of France. I worked in aviation at Bourget Airport in Paris, and we got on with family life. In my spare time I painted, thriving on the encouragement of my wife and children. Our home became my gallery. At this point, my painting style was heavily influenced by the great French classics, and I loved painting still life, landscape and seascape. Oil on canvas became my hobby.

     In 1986 we decided to emigrate to Australia, a life changing experience on many levels. For one thing, it signalled the end of my career in aviation, as I was determined to forge a new career in art. This began when I decided to do a graphic art course in Brisbane in 1988, with a view, of course, to opening a graphic art business, which I did, under the name of “GM Design”.

     The nature of my business evolved very quickly, as I saw opportunity to make my art even more commercial beyond just graphic art. I began to do murals, commission paintings, decorative art for commercial venues and home interiors and exteriors, and eventually gilding. It was a world of art expression that I would never have dreamt of in France, and there I was, making a career of it in Australia. The name of my business changed most appropriately to “Art on Walls”.

     As I continue to run my business today, my focus has turned more to fine art, a kind of return to the origins of my love of art, and also a return to my personal origins in the Mediterranean region of France. I love painting everything Mediterranean, but with the difference that I now paint in “trick of the eye” style [“trompe l’oeil”] . I am particularly proud of my window effect paintings, which have proven very popular.